What I carried in my Camera Bag to shoot "Misleading Lines" for Nikon.


Compagnon Bags Explorer, Prototype

On many shoots I carry a variety of lenses, often times even more than on this project. Since carrying expensive equipment should happen in a comfortable way, I chose Compagnon Bags to carry my gear. On this shoot I brought along a (now funded) prototype bag which in the end proved to be the perfect solution for long days in the urban environment.


Arca Swiss D4 geared head on top of Feisol Tripod Legs

For all shoots that require perfect alignment of architectural lines, I always bring along a big sturdy carbon-fibre tripod with a geared head. Recently, I have partnered with Arca Swiss to use their compact D4 geared head. The great thing about gears in a tripod head is that the most minute adjustments can be made with the uttermost precision. 


Camera body:

Nikon D850

The new flagship D850 proved to be the perfect companion for this unique architecture shoot. The camera’s combination of speed and ultra-high resolution meant I could capture Benni’s split-second flips and tricks and the surrounding architecture, all in crisp detail.  Meanwhile, the ISO range of 64–25600, extendable from 32 to 102400 (equivalent), meant I could shoot in low light and the full spectrum of locations Warsaw presented.



AF-S NIKKOR 14-24mm f/2.8G ED

The AF-S NIKKOR 14-24mm f/2.8G ED is one of my all-time favourite lenses – it lives on my camera body. The non-distortional quality means there is no shot I want to take that’s too wide or too challenging. It allowed me to capture the full extent of the buildings around the city with an edge-to-edge sharpness that can even surpass that of equivalent fixed focal-length lenses. It also has a super-fast aperture which helped me showcase the nuances of Benni’s gravity-defying skills.


AF-S NIKKOR 24mm f/1.4G ED

I think the ideal field of view for the urban environment is 24mm, and the great thing about this prime lens is its ability to ‘work’ the space. It helped me get creative in working the scale between foreground and background, and framing Benni strategically against massive architecture. The lens’ optical design delivered incredibly sharp images within a variety of locations, while the Nano Crystal coat helped reduce ghosting and flare. 


AF-S NIKKOR 16-35mm f/4G ED VR

The AF-S NIKKOR 16-35mm f/4G ED VR is all about versatility, and I would recommend it to any photographer looking for a high-end yet affordable wide-angle zoom lens. Its Vibration-Reduction system helps create steady and clear images. Also, you can shoot in all kinds of conditions due to its optical design – without compromising on resolution and contrast. This was particularly handy when the rain started falling. 


AF-S NIKKOR 35mm f/1.4G

A reliable lens, the AF-S NIKKOR 35mm f/1.4G was another smart lens choice for this shoot. It has a single focal length and fast aperture – meaning I could let a lot of light into the shot, drop my ISO, increase my shutter speed and freeze Benni’s freerunning skills in the scene. I could discover angles and lines that challenge the viewer’s perspective, with a nice separation between a sharp subject in the foreground and a softer background.